Introduction to Job
The Book of Job
Introduction
1. The Problem of the Book of Job
Why do afflictions upon afflictions befall the righteous man? This is the question, the answering of which is made the theme of the book of Job. Looking to the conclusion of the book, the answer stands: that afflictions are for the righteous man the way to a twofold blessedness. But in itself, this answer cannot satisfy; so much the less, as the twofold blessedness to which Job finally attains is just as earthly and of this world as that which he has lost by affliction. This answer is inadequate, since on the one hand such losses as those of beloved children cannot, as the loss of sheep and camels, really be made good by double the number of other children; on the other hand, it may be objected that many a righteous man deprived of his former prosperity dies in outward poverty. There are numerous deathbeds which protest against this answer. There are many pious sufferers to whom this present material issue of the book of Job could not yield any solace; whom, when in conflict at least, it might the rather bring into danger of despair. With reference to this conclusion, the book of Job is an insufficient theodicy, as in general the truth taught in the Old Testament, that the end, אהרית, of the righteous, as of the unrighteous, would reveal the hidden divine recompense, could afford no true consolation so long as this אהרית flowed on with death into the night of Hades, שׁאול, and had no prospect of eternal life.
But the issue of the history, regarded externally, is by no means the proper answer to the great question of the book. The principal thing is not that Job is doubly blessed, but that God acknowledges him as His servant, which He is able to do, after Job in all his afflictions has remained true to God. Therein lies the important truth, that there is a suffering of the righteous which is not a decree of wrath, into which the love of God has been changed, but a dispensation of that love itself. In fact, this truth is the heart of the book of Job. It has therefore been said - particularly by Hirzel, and recently by Renan - that it aims at destroying the old Mosaic doctrine of retribution. But this old Mosaic doctrine of retribution is a modern phantom. That all suffering is a divine retribution, the Mosaic Thora does not teach. Renan calls this doctrine la vielle conception patriarcale. But the patriarchal history, and especially the history of Joseph, gives decided proof against it. The distinction between the suffering of the righteous and the retributive justice of God, brought out in the book of Job, is nothing new. The history before the time of Israel, and the history of Israel even, exhibit it in facts; and the words of the law, as Deu 8:16, expressly show that there are sufferings which are the result of God's love;
though the book of Job certainly presents this truth, which otherwise had but a scattered and presageful utterance, in a unique manner, and causes it to come forth before us from a calamitous and terrible conflict, as pure gold from a fierce furnace. It comes forth as the result of the controversy with the false doctrine of retribution advanced by the friends; a doctrine which is indeed not Mosaic, for the Mosaic Thora in the whole course of the history of revelation is nowhere impugned and corrected, but ever only augmented, and, consistently with its inherent character, rendered more complete.
To this question the book furnishes, as it appears to us, two answers: (1.) The afflictions of the righteous are a means of discipline and purification; they certainly arise from the sins of the righteous man, but still are not the workings of God's wrath, but of His love, which is directed to his purifying and advancement. Such is the view Elihu in the book of Job represents. The writer of the introductory portion of Proverbs has expressed this briefly but beautifully Pro 3:11; cf. Heb 12). Oehler, in order that one may perceive its distinction from the view of the three friends, rightly refers to the various theories of punishment. Discipline designed for improvement is properly no punishment, since punishment, according to its true idea, is only satisfaction rendered for the violation of moral order. In how far the speeches of Elihu succeed in conveying this view clear and distinct from the original standpoint of the friends, especially of Eliphaz, matters not to us here; at all events, it is in the mind of the poet as the characteristic of these speeches. (2.) The afflictions of the righteous man are means of proving and testing, which, like chastisements, come from the love of God. Their object is not, however, the purging away of sin which may still cling to the righteous man, but, on the contrary, the manifestation and testing of his righteousness. This is the point of view from which, apart from Elihu's speeches, the book of Job presents Job's afflictions.
Only by this relation of things is the chagrin with which Job takes up the words of Eliphaz, and so begins the controversy, explained and justified or excused. And, indeed, if it should be even impossible for the Christian, especially with regard to his own sufferings, to draw the line between disciplinary and testing sufferings so clearly as it is drawn in the book of Job, there is also for the deeper and more acute New Testament perception of sin, a suffering of the righteous which exists without any causal connection with his sin, viz., confession by suffering, or martyrdom, which the righteous man undergoes, not for his own sake, but for the sake of God.
If we, then, keep in mind these two further answers which the book of Job gives us to the question, "Why through suffering to blessedness?" it is not to be denied that practically they are perfectly sufficient. If I know that God sends afflictions to me because, since sin and evil are come into the world, they are the indispensable means of purifying and testing me, and by both purifying and testing of perfecting me, - these are explanations with which I can and must console myself. But this is still not the final answer of the book of Job to its great question. And its unparalleled magnitude, its high significance in the historical development of revelation, its typical character already recognised in the Old Testament, consists just in its going beyond this answer, and giving us an answer which, going back to the extreme roots of evil, and being deduced from the most intimate connections of the individual life of man with the history and plan of the world in the most comprehensive sense, not only practically, but speculatively, satisfies.
2. The Chokma-Character of the Book
But before we go so far into this final and highest answer as the province of the Introduction permits and requires, in order to assign to the reader the position necessary to be taken for understanding the book, we ask, How comes it that the book of Job presents such a universal and absolute solution of the problem, otherwise unheard of in the Old Testament Scriptures? The reason of it is in the peculiar mental tendency (Geistesrichtung) of the Israelitish race from which it proceeded. There was in Israel a bias of a universalistic, humanic, philosophical kind, which, starting from the fear or worship (religion) of Jehovah, was turned to the final causes of things, - the cosmical connections of the earthly, the common human foundations of the Israelitish, the invisible roots of the visible, the universal actual truth of the individual and national historical. The common character of the few works of his Chokma which have been preserved to us is the humanic standpoint, stripped of everything peculiarly Israelitish. In the whole book of Proverbs, which treats of the relations of human life in its most general aspects, the name of the covenant people, ישׁראל, does not once occur. In Ecclesiastes, which treats of the nothingness of all earthly things, and with greater right than the book of Job may be called the canticle of Inquiry,
(Note: The book of Job, says H. Heine, in his Vermischte Schriften, 1854, i., is the canticle of Inquiry (das Hodhelied der Skepsis), and horrid serpents hiss therein their eternal Wherefore? As man when he suffers must weep his fill, so must he cease to doubt. This poison of doubt must not be wanting in the Bible, that great storehouse of mankind.)
even the covenant name of God, יהוה, does not occur. In the Son of Songs, the groundwork of the picture certainly, but not the picture itself, is Israelitish: it represents a common human primary relation, the love of man and woman; and that if not with allegorical, yet mystical meaning, similar to the Indian Gitagovinda, and also the third part of the Tamul Kural, translated by Graul.
So the book of Job treats a fundamental question of our common humanity; and the poet has studiously taken his hero not from Israelitish history, but from extra-Israelitish tradition. From beginning to end he is conscious of relating an extra-Israelitish history, - a history handed down among the Arab tribes to the east of Palestine, which has come to his ears; for none of the proper names contain even a trace of symbolically intended meaning; and romantic historical poems were moreover not common among the ancients. This extra-Israelitish history from the patriarchal period excited the purpose of his poem, because the thought therein presented lay also in his own mind. The Thora from Sinai and prophecy, the history and worship of Israel, are nowhere introduced; even indirect reference to them nowhere escape him. He throws himself with wonderful truthfulness, effect, and vividness, into the extra-Israelitish position. His own Israelitish standpoint he certainly does not disavow, as we see from his calling God יהוה everywhere in the prologue and epilogue; but the non-Israelitish character of his hero and of his locality he maintains with strict consistency. Only twice is יהוה found in the mouth of Job (Job 1:21, Job 12:9), which is not to be wondered at, since this name of God, as the names Morija and Jochebed show, is not absolutely post-Mosaic, and therefore may have been known among the Hebrew people beyond Israel.
But with this exception, Job and his friends everywhere call God אלוהּ, which is more poetic, and for non-Israelitish speakers (vid., Pro 30:5) more appropriate than אלהים, which occurs only three times (Job 20:29; Job 32:2; Job 38:7); or they call Him שׁדּי, which is the proper name of God in the patriarchal time, as it appears everywhere in Genesis, where in the Elohistic portions the high and turning-points of the self-manifestation of God occur (Job 17:1, Job 35:11, cf. Exo 6:3), and when the patriarchs, at special seasons, pronounce the promise which they have received upon their children (Gen 28:3, Gen 48:3, Gen 49:25; cf. Gen 43:14). Even many of the designations of the divine attributes which have become fixed in the Thora, as אפּים ארך, חנּוּן, רחוּם, which one might well expect in the book of Job, are not found in it; nor טוב, often used of Jehovah in Psalms; nor generally the too (so to speak) dogmatic terminology of the Israelitish religion;
(Note: קרושׁ, of God, only occurs once (Job 6:10); חסד but twice (Job 10:12, and with Elihu, Job 37:13); אהב with its derivatives not at all (Gen. only Gen 19:19). In the speeches of the three, צדיק (only with Elihu, Job 34:17), משׁפט, and שׁלּם, as expressions of the divine justitia recompensativa, are not to be found; נסּה and בחן become nowhere synonymous to designate Job's sufferings by the right name; מסּה appears (Job 9:23) only in the general signification of misfortune.)
besides which also this characteristic, that only the oldest mode of heathen worship, star-worship (Job 31:26-28), is mentioned, without even the name of God (צבאות יהוה or צבאות אלהים) occurring, which designates God as Lord of the heavens, which the heathen deified. The writer has also intentionally avoided this name, which is the star of the time of the Israelitish kings; for he is never unmindful that his subject is an ante-and extra-Israelitish one.
Hengstenberg, in his Lecture on the Book of Job, 1856, goes so far as to maintain, that a character like Job cannot possibly have existed in the heathen world, and that revelation would have been unnecessary if heathendom could produce such characters for itself. The poet, however, without doubt, presupposes the opposite; and if he did not presuppose it, he should have refrained from using all his skill to produce the appearance of the opposite. That he has nevertheless done it, cannot mislead us: for, on the one hand, Job belongs to the patriarchal period, therefore the period before the giving of the law, - a period in which the early revelation was still at work, and the revelation of God, which had not remained unknown in the side branches of the patriarchal family. On the other hand, it is quite consistent with the standpoint of the Chokma, that it presupposes a preparatory self-manifestation of God even in the extra-Israelitish world; just as John's Gospel, which aims at proving in Christianity the absolute religion which shall satisfy every longing of all mankind, acknowledges τέκνα τοῦ Θεοῦ διεσκορπισμένα also beyond the people of God, Joh 11:52, without on this account finding the incarnation of the Logos, and the possibility of regeneration by it, to be superfluous.
This parallel between the book of Job and the Gospel by John is fully authorized; for the important disclosure which the prologue of John gives to us of the Logos, is already in being in the book of Job and the introduction to the book of Proverbs, especially ch. 8, without requiring the intervening element of the Alexandrine religious philosophy, which, however, after it is once there, may not be put aside or disavowed. The Alexandrine doctrine of the Logos is really the genuine more developed form, though with many imperfections, of that which is taught of the Chokma in the book of Job and in Proverbs. Both notions have a universalistic comprehensiveness, referring not only to Israel, but to mankind. The חכמה certainly took up its abode in Israel, as it itself proves in the book Σοφια Σειραχ, ch. 24; but there is also a share of it attainable by and allotted to all mankind. This is the view of the writer even beyond Israel fellowship is possible with the one living God, who has revealed himself in Israel; that He also there continually reveals himself, ordinarily in the conscience, and extraordinarily in dreams and visions; that there is also found there a longing and struggling after that redemption of which Israel has the clear words of promise. His wonderous book soars high above the Old Testament limit; it is the Melchizedek among the Old Testament books.
The final and highest solution of the problem with which it grapples, has a quarry extending out even beyond the patriarchal history. The Wisdom of the book of Job originates, as we shall see, from paradise. For this turning also to the primeval histories of Genesis, which are earlier than the rise of the nations, and the investigation of the hieroglyphs in the prelude to the Thora, which are otherwise almost passed over in the Old Testament, belong to the peculiarities of the Chokma.
3. Position in the Canon
As a work of the Chokma, the book of Job stands, with the three other works belonging to this class of the Israelitish literature, among the Hagiographa, which are called in Hebrew simply כתובים. Thus, by the side of תורה and נביאים, the third division of the canon is styled, in which are included all those writings belonging neither to the province of prophetic history nor prophetic declaration. Among the Hagiographa are writings even of a prophetic character, as Psalms and Daniel; but their writers were not properly נביאים. At present Lamentations stands among them; but this is not its original place, as also Ruth appears to have stood originally between Judges and Samuel. Both Lamentations and Ruth are placed among the Hagiographa, that there the five so-called מגלות or scrolls may stand together: Schir ha-Schirim the feast-book of the eight passover-day, Ruth that of the second Schabuoth-day, Kinoth that of the ninth of Ab, Koheleth that of the eight Succoth-day, Esther that of Purim. The book of Job, which is written neither in prophetico-historical style, nor in the style of prophetic preaching, but is a didactic poem, could stand nowhere else but in the third division of the canon. The position which it occupies is moreover a very shifting one. In the Alexandrine canon, Chronicles, Ezra, Nehemiah, Tobit, Judith, Esther, follow the four books of the Kings. The historical books therefore stand, from the earliest to the latest, side by side;
then begins with Job, Psalms, Proverbs, a new row, opened with these three in stricter sense poetical books. Then Melito of Sardis, in the second century, places Chronicles with the books of the Kings, but arranges immediately after them the non-historical Hagiographa in the following order: Psalms, Proverbs, Ecclesiastes, Canticles, Job; here the Salomonic writings are joined to the Davidic Psalter, and the anonymous book of Job stands last. In our editions of the Bible, the Hagiographa division begins with Psalms, Proverbs, Job (the succession peculiar to MSS of the German class); in the Talmud (Bathra, 14b), with Ruth, Psalms, Job, Proverbs; in the Masora, and in MSS of the Spanish class, with Chronicles, Psalms, Job, Proverbs. All these modes of arrangement are well considered. The Masora connects with the אחרונים נביאים the homogeneous book, the Chronicles; the Talmud places the book of Ruth before the Psalter as an historical prologue, or as a connection between the prophetico-historical books and the Hagiographa.
(Note: That Job stands after the Psalms is explained by his being contemporary with the Queen of Sheba, or, accepting Moses as the writer of the book (in which case it should stand at the head of the Chethubim), by its not being placed foremost, on account of its terrible contents (according to the maxim בפרענותא מתחילינן לא).)
The practice in our editions is to put the Psalms as the first book of the division, which agrees with Luk 24:44, and with Philo, who places ὕμνους next to the prophetical books. Job stands only in the lxx at the head of the three so-called poetic books, perhaps as a work by its patriarchal contents referring back to the earliest times. Everywhere else the Psalter stands first among the three books. These three are commonly denoted by the vox memoralis מתספרי א; but this succession, Job, Proverbs, Psalms, is nowhere found. The Masora styles them after its own, and the Talmudic order אםספרי ת.
4. The System of Accentuation
Manner of Writing in Verses, and Structure of the Strophe
The so-ciphered three books have, as is known, this in common, that they are (with the exception of the prologue and epilogue in the book of Job) punctuated according to a special system, which has been fully discussed in my Commentary on the Psalms, and in Baer's edition of the Psalter. This accent system, like the prosaic, is constructed on the fundamental law of dichotomy; but it is determined by better organization, more expressive and melodious utterance. Only the so-called prose accents, however, not the metrical or poetic (with the exception of a few detached fragments), have been preserved in transmission. Nevertheless, we are always still able to discern from these accents how the reading in the synagogue divided the thoughts collected into the form of Masoretic verses, into two chief divisions, and within these again into lesser divisions, and connected or separated the single words; while the musical rhythm accommodated itself as much as possible to the logical, so that the accentuation is on this account an important source for ascertaining the traditional exegesis, and contains an abundance of most valuable hints for the interpreter. Tradition, moreover, requires for the three books a verse-like short line stich-manner of writing; and פסוק, versus, meant originally, not the Masoretic verse, but the separate sentence, στίχος, denoted in the accent system by a great distinctive; as e.g., Job 3:3 :
Let the day perish wherein I was born,
And the night, which said, There is a man-child conceived,
is a Masoretic verse divided into two parts by Athnach, and therefore, according to the old order, is to be written as two στίχοι.
(Note: The meaning of this old order, and the aptness of its execution, has been lost in later copyists, because they break off not according to the sense, but only according to the space, as the στίχοι in numbering the lines, e.g., of the Greek orators, are mere lines according to the space (Raumzeile), at least according to Ritschl's view (Die alex. Bibliotheken, 1838, S. 92-136), which, however, has been disputed by Vmel. The old soferish order intends lines according to the sense, and so also the Greek distinction by πέντε στιχηραὶ (στιχήρεις) βίβλοι, i.e., Job, Psalms, Proverbs, Canticles, Ecclesiastes.)
This also is important. In order to recognise the strophe-structure of Hebrew poems, one must attend to the στίχοι, in which the poetic thoughts follow one another in well-measured flow. Parallelism, which we must likewise acknowledge as the fundamental law of the rhythm of Hebrew poetry, forms the evolutions of thought not always of two members, but often - as e.g., Job 3:4, Job 3:5, Job 3:6, Job 3:9 - also of three. The poetic formation is not, however, confined to this, but even further combines (as is most unmistakeably manifest in the alphabetical psalms,
(Note: That from these we may proceed, the ancients here and there conjectures; as e.g., Serpilius says, "It may perhaps occur to some, whether now and then a slight judgment of the Davidic species of verse and poesy may not be in some way formed from his, so to speak, alphabetical psalms.")
and as recently also Ewald inclines to acknowledge)
(Note: On strophes in the book of Job, Jahrb. iii. 118: "That the Masoretic division of the verses is not always correct, follows also from a more exact consideration of the strophes. Here comes a further question, whether one must determine the limit of such a strophe only according to the verses, which are often in themselves very irregular, or rather, strictly according to the members of the verse? The latter seems to me, at least in some parts, certainly to be the case, as I have already had opportunity to remark." Nevertheless, he reckons the strophes in Neue Bemerkungen zum B. Ijob, Job 9:35-37, according to lines = Masoretic verses.)
such distichs and tristichs into a greater whole, forming a complete circle of thought; in other words, into strophes of four, eight, or some higher number of lines, in themselves paragraphs, which, however, show themselves as strophes, inasmuch as they recur and change symmetrically. Hupfeld has objected that these strophes, as an aggregate formed of a symmetrical number of stichs, are opposed to the nature of the rhythm = parallelism, which cannot stand on one leg, but needs two; but this objection is as invalid as if one should say, Because every soldier has two legs, therefore soldiers can only march singly, and not in a row and company. It may be seen, e.g., from Job 36:22-25, Job 36:26-29, Job 36:30-33, where the poet begins three times with הן, and three times the sentences so beginning are formed of eight lines. Shall we not say there are three eight-line strophes beginning with הן? Nevertheless, we are far from maintaining that the book of Job consists absolutely of speeches in the strophe and poetic form. It breaks up, however, into paragraphs, which not unfrequently become symmetrical strophes. That neither the symmetrical nor mixed strophe-schema is throughout with strict unexceptional regularity carried out, arises from the artistic freedom which the poet was obliged to maintain in order not to sacrifice the truth as well as the beauty of the dialogue.
Our translation, arranged in paragraphs, and the schemata of the number of stichs in the paragraph placed above each speech, will show that the arrangement of the whole is, after all, far more strophic than its dramatic character allows, according to classic and modern poetic art.
(Note: What Gottfr. Hermann, in his diss. de arte poesis Graecorum bucolicae, says respecting the strophe-division in Theocritus, is nevertheless to be attentively considered: Verendum est ne ipsi nobis somnia fingamus perdamusque operam, si artificiosas stropharum comparationes comminiscamur, de quibus ipsi poetae ne cogitaverint quidem. Viderique potest id eo probabilius esse, quod saepenumero dubitari potest, sic an aliter constituendae sint strophae. Nam poesis, qualis haec bucolicorum est, quae maximam partem ex brevibus dictis est composita, ipsa natura sua talis est ut in partes fere vel pares vel similes dividi possit. Nihilo tamen minus illam strophicam rationem non negligendam arbitror, ut quae apud poetas bucolicos in consuetudinem vertisse videatur, etc.)
It is similar in Canticles, with the melodramatic character of which it better agrees. In both cases it is explained from the Hebrew poesy being in its fundamental peculiarity lyric, and from the drama not having freed itself from the lyric element, and attained to complete independence. The book of Job is, moreover, not a drama grown to complete development. Prologue and epilogue are treated as history, and the separate speeches are introduce din the narrative style. In the latter respect (with the exception of Job 2:10), Canticles is more directly dramatic than the book of Job.
(Note: Hence there are Greek MSS, in which the names of the speakers (e.g., ἡ νύμφη, αἱ νεανίδες, ὁ νυμφίος) are prefixed to the separate parts of Canticles (vid., Repertorium fr bibl. u. morgenl. Lit. viii. 1781, S. 180). The Archimandrite Porphyrios, who in his Travels, 1856, described the Codex Sinaiticus before Tischendorf, though unsatisfactorily, describes there also such διαλογικῶς written MSS of Canticles.)
The drama is here in reference to the strophic form in the garb of Canticles, and in respect of the narrative form in the garb of history or epopee. Also the book of Job cannot be regarded as drama, if we consider, with G. Baur,
(Note: Das B. Hiob und Dante's Gttliche Camdie, Studien u. Krit. 1856, iii.)
dramatic and scenic to be inseparable ideas; for the Jews first became acquainted with the theatre from the Greeks and Romans.
(Note: See my Geschichte der jdischen Dramatik in my edition of the Migdal Oz1 (hebr. handling of the Pastor fido of Guarini) by Mose Chajim Luzzatto, Leipz. 1837.)
Nevertheless, it is questionable whether the drama everywhere presupposes the existence of the stage, as e.g., A. W. v. Schlegel, in his Lectures on Dramatic Art and Literature, maintains. Gthe, at least, more than once asserts, that "drama and a composition for the stage may be separate," and admits a "dramatic plot and execution" in Canticles.
(Note: Werke (neue Ausg. in 30 Bden.), xiii. 596; xxvi. 513f.)
5. The Dramatic Art of the Plot and Execution
On the whole, we have as little hesitation as Hupfeld in calling the book of Job a drama; and it is characteristic of the Israelitish Chokma, that by Canticles and the book of Job, its two generic manifestations, it has enriched the national poesy with this new form of poetic composition. The book of Job is, though not altogether, yet substantially, a drama, and one consisting of seven divisions: (1) ch. 1-3, the opening; (2) ch. 4-14, the first course of the controversy, or the beginning entanglement; (3) ch. 15-21, the second course of the controversy, or the increasing entanglement; (4) ch. 22-26, the third course of the controversy, or the increasing entanglement at its highest; (5) ch. 27-31, the transition from the entanglement (δέσις) to the unravelling (λύσις): Job's monologues; (6) ch. 38-42:6, the consciousness of the unravelling; (7) Job 42:7., the unravelling in outward reality. In this we have left Elihu'a speeches (ch. 32-37) out of consideration, because it is very questionable whether they are a part of the original form of the book, and not, on the contrary, the introduction of another poet. If we include them, the drama has eight divisions. The speeches of Elihu form an interlude in the transition from the δέσις to the λύσις. The book of Job is an audience-chamber, and one can readily suppose that a contemporary or later poet may have mixed himself up with the speakers. Whether, however, this is really the case, may remain here undecided.
The prologue is narrative, but still partly in dialogue style, and so far not altogether undramatical. In form it corresponds most to the Euripidean, which also are a kind of epic introduction to the pieces, and it accomplishes what Sophocles in his prologues so thoroughly understands. At the very beginning he excites interest in the occurrences to be brought forward, and makes us acquainted with that which remains concealed from the actors. After the knot of the puzzle is tied in the prologue, it becomes more and more deeply entangled in the three courses of the controversy. In the monologues of Job it begins to be disentangled, and in the sixth part the unravelling follows, well prepared for, and therefore not ἀπὸ μηχανῆς, and is perfected in the epilogue or exodus: the servant of God, being so far as necessary cleared by penitence, is justified in opposition to his friends; and the victor, tried in accordance with the divine utterance, is crowned. It is therefore a continually progressing history. The remark of Herder,
(Note: Geist der Ebrischen Poesi, 1805, i. S. 137.)
"Here all is stationary in long conversations," is superficial. It is from beginning to end a stream of the most active life, with external incident only in the opening and in the unravelling; what Shlegel says of Gthe's Iphigenie holds good of the middle of the book, that the ideas are worked into incidents, and brought, as it were, before the eye. Moreover, as in Gthe's Tasso, the deficiency of external action is compensated by the richness and precision with which the characters are drawn. Satan, Job's wife, the hero himself, the three friends, - everywhere diversified and minute description. The poet manifests, also, dramatic skill in other directions. He has laid out the controversy with a masterly hand, making the heart of the reader gradually averse to the friends, and in the same degree winning it towards Job. He makes the friends all through give utterance to the most glorious truths, which, however, in the application to the case before them, turn out to be untrue. And although the whole of the representation serves one great idea, it is still not represented by any of the persons brought forward, and is by no one expressly uttered. Every person is, as it were, the consonant letter to the word of this idea; it is throughout the whole book taken up with the realization of itself; at the end it first comes forth as the resulting product of the whole. Job himself is not less a tragic hero than the Oedipus of both Sophicles' tragedies.
(Note: Schultens says: Quidquid tragoedia vetus unquam Sophocleo vel Aeschyleo molita est cothurno, infra magnitudinem, gravitatem, ardorem, animositatem horum affectuum infinitum quantum subsidet. Similarly Ewald (Jahrb. ix. 27): Neither the Hindoos, nor the Greek sand Romans, have such a lofty and purely perfected poem to produce. One would perhaps compare it with one of Aeschylus or Sophocles' tragedies as the nearest, but we cannot easily find a single one among these approaching its unblemished height and perfection in the midst of the greatest simplicity.)
What is there an inevitable fate, expressed by the oracle, is in the book of Job the decree of Jehovah, over whom is no controlling power, decreed in the assembly of angels. As a painful puzzle the lot of affliction comes down on Job. At the beginning he is the victor of an easy battle, until the friends' exhortations to repentance are added to suffering, which in itself is incomprehensible, and make it still harder to be understood. He is thereby involved in a hard conflict, in which at one time, full of arrogant self-confidence, he exalts himself heavenward; at another time, sinks to the ground in desponding sadness.
The God, however, against which he fights is but a phantom, which the temptation has presented to his saddened eye instead of the true God; and this phantom is in no way different from the inexorable fate of the Greek tragedy. As in that the hero seeks to
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Job
Commentary on the Old Testament, C. F. Keil, Franz Delitzsch (1861-1875 (English translation 1866-1891)). Confessional Lutheran; conservative and scholarly, strong on Hebrew.
C. F. Keil, Franz Delitzsch on Job 1 →
Introduction to Job
The Book of Job
Introduction
1. The Problem of the Book of Job
Why do afflictions upon afflictions befall the righteous man? This is the question, the answering of which is made the theme of the book of Job. Looking to the conclusion of the book, the answer stands: that afflictions are for the righteous man the way to a twofold blessedness. But in itself, this answer cannot satisfy; so much the less, as the twofold blessedness to which Job finally attains is just as earthly and of this world as that which he has lost by affliction. This answer is inadequate, since on the one hand such losses as those of beloved children cannot, as the loss of sheep and camels, really be made good by double the number of other children; on the other hand, it may be objected that many a righteous man deprived of his former prosperity dies in outward poverty. There are numerous deathbeds which protest against this answer. There are many pious sufferers to whom this present material issue of the book of Job could not yield any solace; whom, when in conflict at least, it might the rather bring into danger of despair. With reference to this conclusion, the book of Job is an insufficient theodicy, as in general the truth taught in the Old Testament, that the end, אהרית, of the righteous, as of the unrighteous, would reveal the hidden divine recompense, could afford no true consolation so long as this אהרית flowed on with death into the night of Hades, שׁאול, and had no prospect of eternal life.
But the issue of the history, regarded externally, is by no means the proper answer to the great question of the book. The principal thing is not that Job is doubly blessed, but that God acknowledges him as His servant, which He is able to do, after Job in all his afflictions has remained true to God. Therein lies the important truth, that there is a suffering of the righteous which is not a decree of wrath, into which the love of God has been changed, but a dispensation of that love itself. In fact, this truth is the heart of the book of Job. It has therefore been said - particularly by Hirzel, and recently by Renan - that it aims at destroying the old Mosaic doctrine of retribution. But this old Mosaic doctrine of retribution is a modern phantom. That all suffering is a divine retribution, the Mosaic Thora does not teach. Renan calls this doctrine la vielle conception patriarcale. But the patriarchal history, and especially the history of Joseph, gives decided proof against it. The distinction between the suffering of the righteous and the retributive justice of God, brought out in the book of Job, is nothing new. The history before the time of Israel, and the history of Israel even, exhibit it in facts; and the words of the law, as Deu 8:16, expressly show that there are sufferings which are the result of God's love;
though the book of Job certainly presents this truth, which otherwise had but a scattered and presageful utterance, in a unique manner, and causes it to come forth before us from a calamitous and terrible conflict, as pure gold from a fierce furnace. It comes forth as the result of the controversy with the false doctrine of retribution advanced by the friends; a doctrine which is indeed not Mosaic, for the Mosaic Thora in the whole course of the history of revelation is nowhere impugned and corrected, but ever only augmented, and, consistently with its inherent character, rendered more complete.
To this question the book furnishes, as it appears to us, two answers: (1.) The afflictions of the righteous are a means of discipline and purification; they certainly arise from the sins of the righteous man, but still are not the workings of God's wrath, but of His love, which is directed to his purifying and advancement. Such is the view Elihu in the book of Job represents. The writer of the introductory portion of Proverbs has expressed this briefly but beautifully Pro 3:11; cf. Heb 12). Oehler, in order that one may perceive its distinction from the view of the three friends, rightly refers to the various theories of punishment. Discipline designed for improvement is properly no punishment, since punishment, according to its true idea, is only satisfaction rendered for the violation of moral order. In how far the speeches of Elihu succeed in conveying this view clear and distinct from the original standpoint of the friends, especially of Eliphaz, matters not to us here; at all events, it is in the mind of the poet as the characteristic of these speeches. (2.) The afflictions of the righteous man are means of proving and testing, which, like chastisements, come from the love of God. Their object is not, however, the purging away of sin which may still cling to the righteous man, but, on the contrary, the manifestation and testing of his righteousness. This is the point of view from which, apart from Elihu's speeches, the book of Job presents Job's afflictions.
Only by this relation of things is the chagrin with which Job takes up the words of Eliphaz, and so begins the controversy, explained and justified or excused. And, indeed, if it should be even impossible for the Christian, especially with regard to his own sufferings, to draw the line between disciplinary and testing sufferings so clearly as it is drawn in the book of Job, there is also for the deeper and more acute New Testament perception of sin, a suffering of the righteous which exists without any causal connection with his sin, viz., confession by suffering, or martyrdom, which the righteous man undergoes, not for his own sake, but for the sake of God.
If we, then, keep in mind these two further answers which the book of Job gives us to the question, "Why through suffering to blessedness?" it is not to be denied that practically they are perfectly sufficient. If I know that God sends afflictions to me because, since sin and evil are come into the world, they are the indispensable means of purifying and testing me, and by both purifying and testing of perfecting me, - these are explanations with which I can and must console myself. But this is still not the final answer of the book of Job to its great question. And its unparalleled magnitude, its high significance in the historical development of revelation, its typical character already recognised in the Old Testament, consists just in its going beyond this answer, and giving us an answer which, going back to the extreme roots of evil, and being deduced from the most intimate connections of the individual life of man with the history and plan of the world in the most comprehensive sense, not only practically, but speculatively, satisfies.
2. The Chokma-Character of the Book
But before we go so far into this final and highest answer as the province of the Introduction permits and requires, in order to assign to the reader the position necessary to be taken for understanding the book, we ask, How comes it that the book of Job presents such a universal and absolute solution of the problem, otherwise unheard of in the Old Testament Scriptures? The reason of it is in the peculiar mental tendency (Geistesrichtung) of the Israelitish race from which it proceeded. There was in Israel a bias of a universalistic, humanic, philosophical kind, which, starting from the fear or worship (religion) of Jehovah, was turned to the final causes of things, - the cosmical connections of the earthly, the common human foundations of the Israelitish, the invisible roots of the visible, the universal actual truth of the individual and national historical. The common character of the few works of his Chokma which have been preserved to us is the humanic standpoint, stripped of everything peculiarly Israelitish. In the whole book of Proverbs, which treats of the relations of human life in its most general aspects, the name of the covenant people, ישׁראל, does not once occur. In Ecclesiastes, which treats of the nothingness of all earthly things, and with greater right than the book of Job may be called the canticle of Inquiry,
(Note: The book of Job, says H. Heine, in his Vermischte Schriften, 1854, i., is the canticle of Inquiry (das Hodhelied der Skepsis), and horrid serpents hiss therein their eternal Wherefore? As man when he suffers must weep his fill, so must he cease to doubt. This poison of doubt must not be wanting in the Bible, that great storehouse of mankind.)
even the covenant name of God, יהוה, does not occur. In the Son of Songs, the groundwork of the picture certainly, but not the picture itself, is Israelitish: it represents a common human primary relation, the love of man and woman; and that if not with allegorical, yet mystical meaning, similar to the Indian Gitagovinda, and also the third part of the Tamul Kural, translated by Graul.
So the book of Job treats a fundamental question of our common humanity; and the poet has studiously taken his hero not from Israelitish history, but from extra-Israelitish tradition. From beginning to end he is conscious of relating an extra-Israelitish history, - a history handed down among the Arab tribes to the east of Palestine, which has come to his ears; for none of the proper names contain even a trace of symbolically intended meaning; and romantic historical poems were moreover not common among the ancients. This extra-Israelitish history from the patriarchal period excited the purpose of his poem, because the thought therein presented lay also in his own mind. The Thora from Sinai and prophecy, the history and worship of Israel, are nowhere introduced; even indirect reference to them nowhere escape him. He throws himself with wonderful truthfulness, effect, and vividness, into the extra-Israelitish position. His own Israelitish standpoint he certainly does not disavow, as we see from his calling God יהוה everywhere in the prologue and epilogue; but the non-Israelitish character of his hero and of his locality he maintains with strict consistency. Only twice is יהוה found in the mouth of Job (Job 1:21, Job 12:9), which is not to be wondered at, since this name of God, as the names Morija and Jochebed show, is not absolutely post-Mosaic, and therefore may have been known among the Hebrew people beyond Israel.
But with this exception, Job and his friends everywhere call God אלוהּ, which is more poetic, and for non-Israelitish speakers (vid., Pro 30:5) more appropriate than אלהים, which occurs only three times (Job 20:29; Job 32:2; Job 38:7); or they call Him שׁדּי, which is the proper name of God in the patriarchal time, as it appears everywhere in Genesis, where in the Elohistic portions the high and turning-points of the self-manifestation of God occur (Job 17:1, Job 35:11, cf. Exo 6:3), and when the patriarchs, at special seasons, pronounce the promise which they have received upon their children (Gen 28:3, Gen 48:3, Gen 49:25; cf. Gen 43:14). Even many of the designations of the divine attributes which have become fixed in the Thora, as אפּים ארך, חנּוּן, רחוּם, which one might well expect in the book of Job, are not found in it; nor טוב, often used of Jehovah in Psalms; nor generally the too (so to speak) dogmatic terminology of the Israelitish religion;
(Note: קרושׁ, of God, only occurs once (Job 6:10); חסד but twice (Job 10:12, and with Elihu, Job 37:13); אהב with its derivatives not at all (Gen. only Gen 19:19). In the speeches of the three, צדיק (only with Elihu, Job 34:17), משׁפט, and שׁלּם, as expressions of the divine justitia recompensativa, are not to be found; נסּה and בחן become nowhere synonymous to designate Job's sufferings by the right name; מסּה appears (Job 9:23) only in the general signification of misfortune.)
besides which also this characteristic, that only the oldest mode of heathen worship, star-worship (Job 31:26-28), is mentioned, without even the name of God (צבאות יהוה or צבאות אלהים) occurring, which designates God as Lord of the heavens, which the heathen deified. The writer has also intentionally avoided this name, which is the star of the time of the Israelitish kings; for he is never unmindful that his subject is an ante-and extra-Israelitish one.
Hengstenberg, in his Lecture on the Book of Job, 1856, goes so far as to maintain, that a character like Job cannot possibly have existed in the heathen world, and that revelation would have been unnecessary if heathendom could produce such characters for itself. The poet, however, without doubt, presupposes the opposite; and if he did not presuppose it, he should have refrained from using all his skill to produce the appearance of the opposite. That he has nevertheless done it, cannot mislead us: for, on the one hand, Job belongs to the patriarchal period, therefore the period before the giving of the law, - a period in which the early revelation was still at work, and the revelation of God, which had not remained unknown in the side branches of the patriarchal family. On the other hand, it is quite consistent with the standpoint of the Chokma, that it presupposes a preparatory self-manifestation of God even in the extra-Israelitish world; just as John's Gospel, which aims at proving in Christianity the absolute religion which shall satisfy every longing of all mankind, acknowledges τέκνα τοῦ Θεοῦ διεσκορπισμένα also beyond the people of God, Joh 11:52, without on this account finding the incarnation of the Logos, and the possibility of regeneration by it, to be superfluous.
This parallel between the book of Job and the Gospel by John is fully authorized; for the important disclosure which the prologue of John gives to us of the Logos, is already in being in the book of Job and the introduction to the book of Proverbs, especially ch. 8, without requiring the intervening element of the Alexandrine religious philosophy, which, however, after it is once there, may not be put aside or disavowed. The Alexandrine doctrine of the Logos is really the genuine more developed form, though with many imperfections, of that which is taught of the Chokma in the book of Job and in Proverbs. Both notions have a universalistic comprehensiveness, referring not only to Israel, but to mankind. The חכמה certainly took up its abode in Israel, as it itself proves in the book Σοφια Σειραχ, ch. 24; but there is also a share of it attainable by and allotted to all mankind. This is the view of the writer even beyond Israel fellowship is possible with the one living God, who has revealed himself in Israel; that He also there continually reveals himself, ordinarily in the conscience, and extraordinarily in dreams and visions; that there is also found there a longing and struggling after that redemption of which Israel has the clear words of promise. His wonderous book soars high above the Old Testament limit; it is the Melchizedek among the Old Testament books.
The final and highest solution of the problem with which it grapples, has a quarry extending out even beyond the patriarchal history. The Wisdom of the book of Job originates, as we shall see, from paradise. For this turning also to the primeval histories of Genesis, which are earlier than the rise of the nations, and the investigation of the hieroglyphs in the prelude to the Thora, which are otherwise almost passed over in the Old Testament, belong to the peculiarities of the Chokma.
3. Position in the Canon
As a work of the Chokma, the book of Job stands, with the three other works belonging to this class of the Israelitish literature, among the Hagiographa, which are called in Hebrew simply כתובים. Thus, by the side of תורה and נביאים, the third division of the canon is styled, in which are included all those writings belonging neither to the province of prophetic history nor prophetic declaration. Among the Hagiographa are writings even of a prophetic character, as Psalms and Daniel; but their writers were not properly נביאים. At present Lamentations stands among them; but this is not its original place, as also Ruth appears to have stood originally between Judges and Samuel. Both Lamentations and Ruth are placed among the Hagiographa, that there the five so-called מגלות or scrolls may stand together: Schir ha-Schirim the feast-book of the eight passover-day, Ruth that of the second Schabuoth-day, Kinoth that of the ninth of Ab, Koheleth that of the eight Succoth-day, Esther that of Purim. The book of Job, which is written neither in prophetico-historical style, nor in the style of prophetic preaching, but is a didactic poem, could stand nowhere else but in the third division of the canon. The position which it occupies is moreover a very shifting one. In the Alexandrine canon, Chronicles, Ezra, Nehemiah, Tobit, Judith, Esther, follow the four books of the Kings. The historical books therefore stand, from the earliest to the latest, side by side;
then begins with Job, Psalms, Proverbs, a new row, opened with these three in stricter sense poetical books. Then Melito of Sardis, in the second century, places Chronicles with the books of the Kings, but arranges immediately after them the non-historical Hagiographa in the following order: Psalms, Proverbs, Ecclesiastes, Canticles, Job; here the Salomonic writings are joined to the Davidic Psalter, and the anonymous book of Job stands last. In our editions of the Bible, the Hagiographa division begins with Psalms, Proverbs, Job (the succession peculiar to MSS of the German class); in the Talmud (Bathra, 14b), with Ruth, Psalms, Job, Proverbs; in the Masora, and in MSS of the Spanish class, with Chronicles, Psalms, Job, Proverbs. All these modes of arrangement are well considered. The Masora connects with the אחרונים נביאים the homogeneous book, the Chronicles; the Talmud places the book of Ruth before the Psalter as an historical prologue, or as a connection between the prophetico-historical books and the Hagiographa.
(Note: That Job stands after the Psalms is explained by his being contemporary with the Queen of Sheba, or, accepting Moses as the writer of the book (in which case it should stand at the head of the Chethubim), by its not being placed foremost, on account of its terrible contents (according to the maxim בפרענותא מתחילינן לא).)
The practice in our editions is to put the Psalms as the first book of the division, which agrees with Luk 24:44, and with Philo, who places ὕμνους next to the prophetical books. Job stands only in the lxx at the head of the three so-called poetic books, perhaps as a work by its patriarchal contents referring back to the earliest times. Everywhere else the Psalter stands first among the three books. These three are commonly denoted by the vox memoralis מתספרי א; but this succession, Job, Proverbs, Psalms, is nowhere found. The Masora styles them after its own, and the Talmudic order אםספרי ת.
4. The System of Accentuation
Manner of Writing in Verses, and Structure of the Strophe
The so-ciphered three books have, as is known, this in common, that they are (with the exception of the prologue and epilogue in the book of Job) punctuated according to a special system, which has been fully discussed in my Commentary on the Psalms, and in Baer's edition of the Psalter. This accent system, like the prosaic, is constructed on the fundamental law of dichotomy; but it is determined by better organization, more expressive and melodious utterance. Only the so-called prose accents, however, not the metrical or poetic (with the exception of a few detached fragments), have been preserved in transmission. Nevertheless, we are always still able to discern from these accents how the reading in the synagogue divided the thoughts collected into the form of Masoretic verses, into two chief divisions, and within these again into lesser divisions, and connected or separated the single words; while the musical rhythm accommodated itself as much as possible to the logical, so that the accentuation is on this account an important source for ascertaining the traditional exegesis, and contains an abundance of most valuable hints for the interpreter. Tradition, moreover, requires for the three books a verse-like short line stich-manner of writing; and פסוק, versus, meant originally, not the Masoretic verse, but the separate sentence, στίχος, denoted in the accent system by a great distinctive; as e.g., Job 3:3 :
Let the day perish wherein I was born,
And the night, which said, There is a man-child conceived,
is a Masoretic verse divided into two parts by Athnach, and therefore, according to the old order, is to be written as two στίχοι.
(Note: The meaning of this old order, and the aptness of its execution, has been lost in later copyists, because they break off not according to the sense, but only according to the space, as the στίχοι in numbering the lines, e.g., of the Greek orators, are mere lines according to the space (Raumzeile), at least according to Ritschl's view (Die alex. Bibliotheken, 1838, S. 92-136), which, however, has been disputed by Vmel. The old soferish order intends lines according to the sense, and so also the Greek distinction by πέντε στιχηραὶ (στιχήρεις) βίβλοι, i.e., Job, Psalms, Proverbs, Canticles, Ecclesiastes.)
This also is important. In order to recognise the strophe-structure of Hebrew poems, one must attend to the στίχοι, in which the poetic thoughts follow one another in well-measured flow. Parallelism, which we must likewise acknowledge as the fundamental law of the rhythm of Hebrew poetry, forms the evolutions of thought not always of two members, but often - as e.g., Job 3:4, Job 3:5, Job 3:6, Job 3:9 - also of three. The poetic formation is not, however, confined to this, but even further combines (as is most unmistakeably manifest in the alphabetical psalms,
(Note: That from these we may proceed, the ancients here and there conjectures; as e.g., Serpilius says, "It may perhaps occur to some, whether now and then a slight judgment of the Davidic species of verse and poesy may not be in some way formed from his, so to speak, alphabetical psalms.")
and as recently also Ewald inclines to acknowledge)
(Note: On strophes in the book of Job, Jahrb. iii. 118: "That the Masoretic division of the verses is not always correct, follows also from a more exact consideration of the strophes. Here comes a further question, whether one must determine the limit of such a strophe only according to the verses, which are often in themselves very irregular, or rather, strictly according to the members of the verse? The latter seems to me, at least in some parts, certainly to be the case, as I have already had opportunity to remark." Nevertheless, he reckons the strophes in Neue Bemerkungen zum B. Ijob, Job 9:35-37, according to lines = Masoretic verses.)
such distichs and tristichs into a greater whole, forming a complete circle of thought; in other words, into strophes of four, eight, or some higher number of lines, in themselves paragraphs, which, however, show themselves as strophes, inasmuch as they recur and change symmetrically. Hupfeld has objected that these strophes, as an aggregate formed of a symmetrical number of stichs, are opposed to the nature of the rhythm = parallelism, which cannot stand on one leg, but needs two; but this objection is as invalid as if one should say, Because every soldier has two legs, therefore soldiers can only march singly, and not in a row and company. It may be seen, e.g., from Job 36:22-25, Job 36:26-29, Job 36:30-33, where the poet begins three times with הן, and three times the sentences so beginning are formed of eight lines. Shall we not say there are three eight-line strophes beginning with הן? Nevertheless, we are far from maintaining that the book of Job consists absolutely of speeches in the strophe and poetic form. It breaks up, however, into paragraphs, which not unfrequently become symmetrical strophes. That neither the symmetrical nor mixed strophe-schema is throughout with strict unexceptional regularity carried out, arises from the artistic freedom which the poet was obliged to maintain in order not to sacrifice the truth as well as the beauty of the dialogue.
Our translation, arranged in paragraphs, and the schemata of the number of stichs in the paragraph placed above each speech, will show that the arrangement of the whole is, after all, far more strophic than its dramatic character allows, according to classic and modern poetic art.
(Note: What Gottfr. Hermann, in his diss. de arte poesis Graecorum bucolicae, says respecting the strophe-division in Theocritus, is nevertheless to be attentively considered: Verendum est ne ipsi nobis somnia fingamus perdamusque operam, si artificiosas stropharum comparationes comminiscamur, de quibus ipsi poetae ne cogitaverint quidem. Viderique potest id eo probabilius esse, quod saepenumero dubitari potest, sic an aliter constituendae sint strophae. Nam poesis, qualis haec bucolicorum est, quae maximam partem ex brevibus dictis est composita, ipsa natura sua talis est ut in partes fere vel pares vel similes dividi possit. Nihilo tamen minus illam strophicam rationem non negligendam arbitror, ut quae apud poetas bucolicos in consuetudinem vertisse videatur, etc.)
It is similar in Canticles, with the melodramatic character of which it better agrees. In both cases it is explained from the Hebrew poesy being in its fundamental peculiarity lyric, and from the drama not having freed itself from the lyric element, and attained to complete independence. The book of Job is, moreover, not a drama grown to complete development. Prologue and epilogue are treated as history, and the separate speeches are introduce din the narrative style. In the latter respect (with the exception of Job 2:10), Canticles is more directly dramatic than the book of Job.
(Note: Hence there are Greek MSS, in which the names of the speakers (e.g., ἡ νύμφη, αἱ νεανίδες, ὁ νυμφίος) are prefixed to the separate parts of Canticles (vid., Repertorium fr bibl. u. morgenl. Lit. viii. 1781, S. 180). The Archimandrite Porphyrios, who in his Travels, 1856, described the Codex Sinaiticus before Tischendorf, though unsatisfactorily, describes there also such διαλογικῶς written MSS of Canticles.)
The drama is here in reference to the strophic form in the garb of Canticles, and in respect of the narrative form in the garb of history or epopee. Also the book of Job cannot be regarded as drama, if we consider, with G. Baur,
(Note: Das B. Hiob und Dante's Gttliche Camdie, Studien u. Krit. 1856, iii.)
dramatic and scenic to be inseparable ideas; for the Jews first became acquainted with the theatre from the Greeks and Romans.
(Note: See my Geschichte der jdischen Dramatik in my edition of the Migdal Oz1 (hebr. handling of the Pastor fido of Guarini) by Mose Chajim Luzzatto, Leipz. 1837.)
Nevertheless, it is questionable whether the drama everywhere presupposes the existence of the stage, as e.g., A. W. v. Schlegel, in his Lectures on Dramatic Art and Literature, maintains. Gthe, at least, more than once asserts, that "drama and a composition for the stage may be separate," and admits a "dramatic plot and execution" in Canticles.
(Note: Werke (neue Ausg. in 30 Bden.), xiii. 596; xxvi. 513f.)
5. The Dramatic Art of the Plot and Execution
On the whole, we have as little hesitation as Hupfeld in calling the book of Job a drama; and it is characteristic of the Israelitish Chokma, that by Canticles and the book of Job, its two generic manifestations, it has enriched the national poesy with this new form of poetic composition. The book of Job is, though not altogether, yet substantially, a drama, and one consisting of seven divisions: (1) ch. 1-3, the opening; (2) ch. 4-14, the first course of the controversy, or the beginning entanglement; (3) ch. 15-21, the second course of the controversy, or the increasing entanglement; (4) ch. 22-26, the third course of the controversy, or the increasing entanglement at its highest; (5) ch. 27-31, the transition from the entanglement (δέσις) to the unravelling (λύσις): Job's monologues; (6) ch. 38-42:6, the consciousness of the unravelling; (7) Job 42:7., the unravelling in outward reality. In this we have left Elihu'a speeches (ch. 32-37) out of consideration, because it is very questionable whether they are a part of the original form of the book, and not, on the contrary, the introduction of another poet. If we include them, the drama has eight divisions. The speeches of Elihu form an interlude in the transition from the δέσις to the λύσις. The book of Job is an audience-chamber, and one can readily suppose that a contemporary or later poet may have mixed himself up with the speakers. Whether, however, this is really the case, may remain here undecided.
The prologue is narrative, but still partly in dialogue style, and so far not altogether undramatical. In form it corresponds most to the Euripidean, which also are a kind of epic introduction to the pieces, and it accomplishes what Sophocles in his prologues so thoroughly understands. At the very beginning he excites interest in the occurrences to be brought forward, and makes us acquainted with that which remains concealed from the actors. After the knot of the puzzle is tied in the prologue, it becomes more and more deeply entangled in the three courses of the controversy. In the monologues of Job it begins to be disentangled, and in the sixth part the unravelling follows, well prepared for, and therefore not ἀπὸ μηχανῆς, and is perfected in the epilogue or exodus: the servant of God, being so far as necessary cleared by penitence, is justified in opposition to his friends; and the victor, tried in accordance with the divine utterance, is crowned. It is therefore a continually progressing history. The remark of Herder,
(Note: Geist der Ebrischen Poesi, 1805, i. S. 137.)
"Here all is stationary in long conversations," is superficial. It is from beginning to end a stream of the most active life, with external incident only in the opening and in the unravelling; what Shlegel says of Gthe's Iphigenie holds good of the middle of the book, that the ideas are worked into incidents, and brought, as it were, before the eye. Moreover, as in Gthe's Tasso, the deficiency of external action is compensated by the richness and precision with which the characters are drawn. Satan, Job's wife, the hero himself, the three friends, - everywhere diversified and minute description. The poet manifests, also, dramatic skill in other directions. He has laid out the controversy with a masterly hand, making the heart of the reader gradually averse to the friends, and in the same degree winning it towards Job. He makes the friends all through give utterance to the most glorious truths, which, however, in the application to the case before them, turn out to be untrue. And although the whole of the representation serves one great idea, it is still not represented by any of the persons brought forward, and is by no one expressly uttered. Every person is, as it were, the consonant letter to the word of this idea; it is throughout the whole book taken up with the realization of itself; at the end it first comes forth as the resulting product of the whole. Job himself is not less a tragic hero than the Oedipus of both Sophicles' tragedies.
(Note: Schultens says: Quidquid tragoedia vetus unquam Sophocleo vel Aeschyleo molita est cothurno, infra magnitudinem, gravitatem, ardorem, animositatem horum affectuum infinitum quantum subsidet. Similarly Ewald (Jahrb. ix. 27): Neither the Hindoos, nor the Greek sand Romans, have such a lofty and purely perfected poem to produce. One would perhaps compare it with one of Aeschylus or Sophocles' tragedies as the nearest, but we cannot easily find a single one among these approaching its unblemished height and perfection in the midst of the greatest simplicity.)
What is there an inevitable fate, expressed by the oracle, is in the book of Job the decree of Jehovah, over whom is no controlling power, decreed in the assembly of angels. As a painful puzzle the lot of affliction comes down on Job. At the beginning he is the victor of an easy battle, until the friends' exhortations to repentance are added to suffering, which in itself is incomprehensible, and make it still harder to be understood. He is thereby involved in a hard conflict, in which at one time, full of arrogant self-confidence, he exalts himself heavenward; at another time, sinks to the ground in desponding sadness.
The God, however, against which he fights is but a phantom, which the temptation has presented to his saddened eye instead of the true God; and this phantom is in no way different from the inexorable fate of the Greek tragedy. As in that the hero seeks to
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